Cindy sherman untitled film still #56
WebUntitled Film Stills. Untitled Film Stills consists of seventy 8×10-inch black-and-white pictures: sixty-nine taken from 1977 to 1980, plus one added later to the series. In each … WebCINDY SHERMAN (B. 1954) Untitled Film Still #47, 1979. Print in Colors. 9" x 11". Cindy Sherman is an American photographer and filmmaker whose self-portraits offer critiques …
Cindy sherman untitled film still #56
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WebMay 7, 2014 · Containing 69 black-and-white images, sometimes crudely developed and a modest 8.5x11 inches in size, with no titles or explicit citations, the “Untitled Film Stills” became Sherman’s most ... WebFeb 11, 2016. Sold 197,000 GBP. Estimation 40,000 – 60,000 GBP. Sotheby's. On sothebys.com. Auction Sold. You own a Cindy Sherman piece of art? Wonder how much it might be worth and how to sell it? estimate & sell your Cindy Sherman artwork.
WebCINDY SHERMAN (B. 1954) Untitled Film Still #39 signed, numbered and dated '39 Cindy Sherman 7/10 1979' (on the reverse) gelatin silver print image: 9½ x 6in. (24 x 15.3cm.) ... p. 56). D. Frankel, The Complete Untitled Film Stills, Cindy Sherman, New York 2003 (another from the edition illustrated, p. 115). Exhibited.
WebJun 27, 2024 · After college, in 1977, Sherman moved to New York City with her then-boyfriend, the artist Robert Longo, and began working on what would become the Untitled Film Stills: a series of black-and-white photographs modelled on promotional images for 1940s and ’50s movies, in which she cast herself in different archetypal female … WebJul 16, 2024 · Cindy Sherman, “Untitled Film Still #63” (1980) Courtesy of the artist and Metro Pictures, New York. Sherman would conclude the Untitled Film Stills in 1980 but would continue to reference cinema in her work, and later direct a feature film of her own, 1997’s Office Killer. But the impact of single shots in relation to cinema would stay ...
WebTools. Untitled Film Stills is a series of black and white photographs by American visual artist Cindy Sherman predominantly made between 1977 and 1980, which gained her …
WebCindy Sherman’s Untitled Film Stills is a suite of 70 black-and-white photographs made over the course of three years in which the artist posed in the guises of various generic female … side porch house plansWebCINDY SHERMAN (B. 1954) Untitled Film Still #47, 1979. Print in Colors. 9" x 11". Cindy Sherman is an American photographer and filmmaker whose self-portraits offer critiques of gender and identity. What made Sherman famous is the use of her own body in roles or personas in her work, with her seminal series Untitled Film Stills (1977â ... the play goes onWebView UNTITLED FILM STILL #56 (1980) By Sherman Cindy; gelatin silver print; 20.1 by 25.1cm.; 8 by 9 7/8 in; Signed; Edition. Access more artwork lots and estimated & realized auction prices on MutualArt. ... > … side pocket lined with fleeceWebDescription. Cindy Sherman. Untitled Film Still #56. signed, dated 1980 and numbered #56 on the reverse. gelatin silver print. 20.1 by 25.1cm.; 8 by 9 7/8 in. Executed in 1980, this work is from an edition of 10. the play graceWebUntitled Film Still #13. Untitled Film Still #13 issues from Sherman's epic "Untitled Film Still" series (they did not actually derive from a larger movie) of the late 1970s, by which she first made a widespread reputation for herself as a witty commentator on the female role models of her youth, as well as those of an earlier generation. In this example, Sherman … the play god of carnageWebSummary. Untitled Film Stills is a series of sixty-nine black-and-white photographs made between 1977 and 1980. In them Sherman appears as fictitious characters in scenarios resembling moments in a film. She used vintage clothing, wigs and makeup to create a range of female personae which she then photographed in apparently solitary, unguarded ... the play godspellWebMar 26, 2024 · Her most famous series is sixty-nine black-and-white self-portraits called Untitled Film Stills casting herself as a woman in a variety of settings familiar from movies of the 1950s and 1960s. The expressions and poses often make her look lonely, uncertain or vulnerable. They draw attention to the ways women have been depicted in film and ... side porch cabin shed